In the overall scheme of pacing, taking regular breaks from shooting keeps my photo mojo fresh!
The weather over the past couple days has been incredible, so I hiked out in darkness this morning to the Georgian Bay shoreline in Bruce Peninsula National Park for a sunrise shoot with my new tilt-shift lens. What a beautiful, crisp morning!
It's going to take me a bit of practice to become comfortable and efficient shooting with the tilt-shift lens. With full depth-of field my goal for landscape photos, getting the tilt adjusted just right and paired with an optimal aperture, requires a bit of fooling around.... I'm sure I'll have the hang of it soon.
Although I've only shot this lens a couple of times now and am still learning how to use it, I am already amazed by the sharpness! And I'm similarly impressed by the depth of field that can be achieved at middle-of-the road apertures. Sweet!
Above photo: Predawn glow over Georgian Bay in Bruce Peninsula National Park; EOS 1Ds mark III; TS-E 24mm II tilt shift lens; Singh-Ray LB warming polarizer & 3 stop hard edge ND grad (handheld in front of lens); mirror lock-up and cable release; ISO 200; 4s @ f/16

Above photo: Waves crash at sunrise, Georgian Bay shoreline in Bruce Peninsula National Park; EOS 1Ds mark III; TS-E 24mm II tilt shift lens; Singh-Ray LB warming polarizer & 3 stop hard edge ND grad (handheld in front of lens); mirror lock-up and cable release; ISO 400; 1/15s @ f/11
For this photo, I needed a shutter speed of 1/15s to blur the wave slightly, yet still have defined streaks of water. I also wanted full-depth-of field in the photo. The solution: tilt the lens and set a moderate aperture which allowed for the desired shutter speed.
Check back soon for more tilt-shift photos. And if you want to see some results from Canon's new 17mm tilt-shift, check out this post on Mac Danzig's blog.






































